Kaos' way behind movie reviews

[GH2001]

Don't Move

I think this was on Netflix. Very intense and personal drama. There are only two main characters and two peripheral ones. Movies with a narrative that narrow require compelling actors for the leads. This one almost gets there. 

Basic storyline.  Troubled woman (Kellie Asbillie, and she's really cute) heads to a remote area to contemplate the source of her sadness. In the wilderness she runs into a guy (Finn Witrock of American Horror Story) who at first seems genuine and helpful, but who then turns into a not-so-nice adversary. 

If you've seen the trailer, you know she's in a paralytic state so that's not really a spoiler.  He drugs her, intending to have a little fun before disposing of the body.  As we learn, he's done it before. Once she's in his clutches, the remainder of the movie deals with how and if she will manage to outwit and outlast the predator.

It's pretty well done. Asbillie has to spend most of the movie acting with little more than her eyes (thankfully those eyes are expressive and really pretty).  She's pretty good at it.  Witrock is only convincing in flashes, but those flashes are pretty good.  He just didn't have the consistent menace I'd hoped to see. He's decent in times of extreme violence when he has to get out of certain situations, but just not quite enough. 

It's a decent story, only if you spend the time wondering how you'd escape a similar situation. The movie was engaging, and maintained my interest, even if some of the situations were a little out there. 

It's not going to win any awards. It's not going to be something you'll go back to again and again. It is, however, worth the one watch.

I like the cherry on top - "thank you"

[The Six]

Watched The Substance. 

[Kaos]

Brothers

Amazon Prime entry with Josh Brolin and Tyrion Lannister playing white trash brothers with criminal proclivities.  Brendan Fraser (the whale version). Marissa Tomei and Glen Close (what's she doing here) join the 'fun'.  Close is the mom, Fraser is a corrupt prison guard who is running Tyrion, and Tomei is like a weirdo spiritualist prison penpal or something.

When Tyrion goes away for a while, taking the heat for both, Brolin tries to go "straight" with his black wife and her rich family.  Then the corrupt security guard gets Tyrion out. 

It's not good.  I don't know if I can finish it.  I think it's intended to be funny, but it looks mostly like a lame payday for everybody involved.

Fraser is awful.

Ok.  I'm out.  The orangutan scene was enough.  Don't want any more of this stupid attempt at a movie.

[Kaos]

Twisters

I tried.  I really did. I liked the original Twister movie. Helen Hunt looked as good as she ever would.  Bill Paxton was great. Van Halen’s haunting “Respect the Wind” and the catchy  “Humans Being” were perfect fits. 

I wanted to like this. Wanted to in a big way.  I am so glad I didnt see it at the theater though. It would have sucked to walk out after 30 minutes. 

That’s as far as I made it at home.  Less than 30 minutes. The barrage of “yee haw” and the assault of glaringly out of place turd-sounding country “music” (and I use that term generously because it was NOT music) was absolutely more than I was willing to tolerate. 

The acting - what I saw of it - was atrocious.  I had no connection to any of the awful characters.  It was like a high school play written by a gay glee club member populated by a cast of his weirdo friends. 

Much of what I saw was a blatant ripoff of scenes from the original, done by amateurs, and done poorly.

Maybe it got better. I can’t believe it could or would. I’ll never know.  I’m marked safe from having really crappy country music banging me over the head. 

Maybe you’ll enjoy it. It’s not for me.

[Kaos]

Carry On

Die Hard for the next generation. Let me end any possible debate as to whether it’s Christmas movie.  It’s not despite featuring Christmas songs to open and end (and a few interspersed throughout). Christmas was incidental, not instrumental to the plot.

Good cast.  Taron Egerton as a TSA agent.  Jason Bateman as the bad guy.  Hank Schrader as Egerton’s boss (basically playing a different version of Hank).  Big Head Bighetti. 

Basic storyline:  Bad guy Bateman has a bag he needs to get through security and a plan to get it through.  Egerton screws up the plan by getting himself reassigned to to the bag screening bay Bateman needs to use. Plan has to be altered.

The whole film is the interplay between Bateman (who does a really good job with the calm menace required to make it work) and Egerton as one tries to execute the plan and the other tries to stop him. 

Some of the situations are ridiculous and improbable. The four-click hacker who can get into airport security cameras unnoticed is cliched and just silly.  Don’t think it can happen that way.  The bug eyed black agent (if some agency I don’t remember) overacts and fails to convince.  Completely out of her depth with the rest of the cast. 

No. It’s not a Christmas movie.  No I won’t be watching it every year. But it was good. The performances were solid (other than bug eye lady). The back and forth between Jason and Taron brought the required tension.  Bateman really delivered.

Pretty good movie.  Definitely worth a watch. 

[Kaos]

Nutcrackers

Ben Stiller makes a Hallmark movie. 

Stiller’s estranged sister dies leaving him, her only living relative in charge.  He’s a Chicago real estate hot shot. The kids are ill mannered and really weird country bumpkins. His plan is to get them into foster care as quickly as possible, leave their disheveled farm behind, get his Porsche back to the city, and resume his high pressure life.

It’s essentially a Hallmark movie so you can pretty much predict every telegraphed situation. 

The oddball kids are good.  Stiller isn’t. He’s really awkward and has real trouble with human emotion. 

About the best you can give it is… it’s cute. Once.

It’s on Hulu.

[GH2001]

Carry On

Die Hard for the next generation. Let me end any possible debate as to whether it’s Christmas movie.  It’s not despite featuring Christmas songs to open and end (and a few interspersed throughout). Christmas was incidental, not instrumental to the plot.

Good cast.  Taron Egerton as a TSA agent.  Jason Bateman as the bad guy.  Hank Schrader as Egerton’s boss (basically playing a different version of Hank).  Big Head Bighetti. 

Basic storyline:  Bad guy Bateman has a bag he needs to get through security and a plan to get it through.  Egerton screws up the plan by getting himself reassigned to to the bag screening bay Bateman needs to use. Plan has to be altered.

The whole film is the interplay between Bateman (who does a really good job with the calm menace required to make it work) and Egerton as one tries to execute the plan and the other tries to stop him. 

Some of the situations are ridiculous and improbable. The four-click hacker who can get into airport security cameras unnoticed is cliched and just silly.  Don’t think it can happen that way.  The bug eyed black agent (if some agency I don’t remember) overacts and fails to convince.  Completely out of her depth with the rest of the cast. 

No. It’s not a Christmas movie.  No I won’t be watching it every year. But it was good. The performances were solid (other than bug eye lady). The back and forth between Jason and Taron brought the required tension.  Bateman really delivered.

Pretty good movie.  Definitely worth a watch.

I concur on K's review here. I thought it was great.

[Kaos]

Red One

This movie bombed spectacularly at the box office. It’s pretty easy to see why. 

It wasn’t the cast. Cast was solid top to bottom.  Rock, Captain America, O-Ren Ishii, Sabrina the Witch, Farmers Insurance dude. All performances were solid. 

It wasn’t the production. The movie looked good. Clearly spent plenty on quality. 

It wasn’t the story. Well, it kind of was.  The basic storyline was fine.  Santa kidnapped and the North Pole has 24 hours to find him and save Christmas. It was the execution of the storyline that was an issue. 

So what was the problem? Whoever made this movie never bothered to figure out who they were making it for.  It has no natural audience. 

The bad guys (Krampus, the Witch, their minions, the Snowmen) were too violent and frightening-looking for kids.  There was a lot of violence, actually.  Far too much to for children in a Christmas movie. The film was also peppered with profanity. Not a lot by today’s standards (repetitive use of the word $#!+ primarily) but again… if you’re marketing a Santa movie, what parent wants to subject their Santa-believing child to elves cursing, and violently brawling with gruesome creatures. 

So it’s not for kids. But that’s who it was marketed toward. Unlike Silent Night (a great movie) that was clearly marketed as an adult film, this one wasn’t. It was portrayed as a fun romp for kids that adults would also enjoy. 

It wasn’t a terrible movie. It just had no base. It wasn’t adult enough for adults and it was far too adult for kids. It will not be on the “watch every year” list by any stretch.  But once every couple of years I might give it another shot.

[Kaos]

Smile 2

“OMG. You have to watch this. You love horror movies, right?!? It’s terrifying! Best horror movie in years! Could not sleep after seeing it!!”

That’s what I heard. Wrong. 

It was fair. At best. 

Picking up from the original (barely) the “smile creature” affixes itself to a pop star (kind of a combination of 70% Lady Gaga and 30% Twit Swift).  She’s a pretty good actress and does the best with what she’s given. 

The rest is just reality-bending mumbo jumbo. I’ve never really been a fan of the “this isn’t real, or is it” model.  I really don’t like watching a 20 minute scene of carnage only to find out it was only happening in someone’s head.  There’s a lot of that here. 

The final act is absolutely ridiculous. Horrendous (and not in a good way) CGI rendering of the “big bad” made me roll my eyes it was so stupidly terrible.

The main actress was pretty good. She alone kept it from being unwatchable but in the end she couldn’t save it. 

Zero scares.

[Kaos]

The Mean One

In a world that has given us such "gifts" as Winnie the Pooh: Blood and Honey and Mouse Trap (a Mickey Mouse horror spoof) it's only natural someone would turn the story of The Grinch into a blood-soaked horror spectacle.  If only someone competent had done it.

The story really isn't that bad overall.  The Grinch is doing his Grinchy stuff - stealing trees and presents basically - when he's confronted by the mom of little Cindy Lou. A fight ensues when the mom rushes and attacks Grinch. In the melee she's accidentally killed when she falls on a piece of broken tree. Haunted by the event, the Grinch's demeanor slides from merely mischievous to murderous. Put up Christmas decor and he's coming down from Mount Strumpet to lay waste. 

The town basically bans Christmas to keep Grinch at bay.  Twenty years after witnessing her mother's death at the hands of the Grinch, Cindy returns to Nooville. She defies the town ban, decorates for the holiday and unleashes the beast.

That's not a bad angle of attack if you're going to twist the tale. In the right hands, a pretty decent holiday horror entry could be crafted.  These are not the right hands. From that promising base the film spirals into atrocity. 

The acting is horrible (which is to be expected, I think). Cindy's got a fighter's thick body but the face of a possum. Needed something better there. Her shower scene isn't even hot - although it almost got there. The rest of the cast is worse.  Production values are barely above being shot on an old Razr phone. There's a stupid, ridiculous, unnecessary side story about the mayor creating a website to lure hikers to Mount Strumpet to be a feast for the beast. The Mean One makeup is only fair at best. 

It is what it is. A schlocky, D-level movie slapped together on a budget of about $94 and a couple of trips to Party City for costumes. It's not meant to be good, but in a frustrating turn of events, it could have been.

Cindy: